Zappa is Frank & Gail Zappa's first child, born September 28, 1967, in New
York. A singer, actress, writer, director.
As a 14 year old, she contributed vocals to
"Valley Girl" (she was credited for her improvised monologue) from
"Ship Arriving Too Late To Save A Drowning Witch" - the title was
Moon's description of the image on the cover.
In the film "Austin Powers: The Spy Who Shagged
Me" (1999) the character Dr Evil says: "The moon unit will be divided
into two divisions: Moon Unit Alpha and Moon Unit Zappa."
Moon Zappa contributed to "Blindsided by a Diaper", a book that got released in 2007 by Three Rivers Press and that talks about the effects of having a baby. Moon's piece is entitled: "Having a Baby can Waylay Getting You Way Laid".
Moon did a guest appearance (with her daughter Mathilda Plum Doucette Zappa) at the Zappa Plays Zappa concert in London at the Roundhouse, 2010/11/06.
zappa: you are what you is
(1981, 2lp, usa, barking pumpkin)
zappa: ship arriving too late
too save a drowning witch
(1982, lp, usa, barking pumpkin)
|dweezil zappa: havin' a bad day (1)
(1986, lp, usa, barking pumpkin records st 74204) - feat. thunes, wackerman, moon & ahmet, produced by fz
|frank zappa: them or us
(1984, 2lp, usa, barking pumpkin)
|1985 frank zappa- meets the mothers of prevention|
|1987 brown, julie- trapped in the body of a white girl|
|1989 gumby- gumby|
|dweezil zappa: confessions (3)
(1991, cd, fr, food for thought cdgrub-19) - feat.mike keneally, scott thunes, ahmet zappa, al malkin
|1991 peace choir- give peace a chance (w/ dweezil and ahmet)|
|1991 vandals- fear of a punk planet|
|1994 frank zappa- civilization, phaze III|
|frank zappa: have i offended someone?
(1997, cd, usa, ryko)
(2002, cd, usa, vanguard records) - feat.moon zappa
|gene simmons: ***hole
(2004, cd, eu, sanctuary sancd145) - feat.ahmet, dweezil, frank, gail & moon zappa - track co-written by fz
|various artists: the
frank zappa aaafnraa birthday bundle
(2006, itunes, -) - feat. frank, moon, dweezil, ahmet & diva zappa
songs from the ocean floor
(2006, cd, usa, sidewinder 60018-2) - feat. moon zappa
|the official valley girl coloring book
by moon and frank zappa
(1982, book, usa, price / stern / sloan)
|america the beautiful
by moon unit zappa
(2000, book, uk, headline book publishing)
|papa, les mecs et moi
by moon unit zappa
(2004, book, france, Úditions j'ai lu)
= french translation of "america the beautiful"
|blindsided by a diaper
(2007, book, usa, three rivers press)
includes a chapter that was written by Moon Unit Zappa
I've seen Moon as a VJ on VH1. She's probably one of the most amusing VJs I've seen. She sings and kids around a lot. Of course she is forced to play a lot of bad music but that's TV...
She has left VH1 to pursue other interests, i.e., acting.
Moon has also been on a recent episode of Roseanne. She can Be heard on brother Dweezil's "Confessions" album, as well as his first album "Havin A Bad Day". If you call the 1-800-anal retentive hotline number on the inside cover of the Z album "Music for Pets" you can talk to either gail zappa or moon unit, the passcode is 12345.
Dancin Bear said:
The 80`s were too cool, and moon zappa is one of my all time faves! I loved her in "Spirit of 76". She should have been cast in the movie "Valley Girl". Good Luck! Moon Zappa where ever you may be. Just gag me with a spoon!
armen Rodriguez said:
Moon is in a play right now. I went to see it last weekend. It was great. It's in L.A. at the Hudson Theater. She has a huge part and she sings in it too The play was great I've gone to see it 2 times now. The play was written by her friend Laura Milligan If you can go see it I suggest you do it's called "Waiting for Studio 54" and theres going to be an article about it in this coming issure of Details magazine.
From: the New York Post
Moon Unit Zappa, the daughter of rocker Frank Zappa, has just sold her first novel, America the Beautiful, to the Dell Publishing division of Random House Inc. for a six-figure advance.
The book is a literary comic romance set in present-day Los Angeles. Its plot centers around a 30ish woman named America Throne who is dumped by her painter boyfriend, Jasper Hush, and pushes on to make new discoveries about her inner self.
not too surprising that the author, who made the mid-80s hit record Valley
Girl with her famous dad is both embracing and spoofing Left Coast
The story is about radiant self-acceptance, Zappa says. She ^America Throne_ thinks she has happiness, loses it and then has to find it again.
Or does she?
think it will have a happy ending, but I really don't know, says the author,
who does an every- other-monthly column for the cutting-edge West
Coast magazine Ray Gun. I didn't do chapters - I did fragments of chapters.
like a ship in the middle of the ocean, adds Zappa, meaning her book, like the
proverbial ship at sea, could land anywhere.
similarities to book writing and deep-sea sailing? When I scream, nobody
can hear me. She hopes, of course, that will change once she is published.
I'm really hoping the book will be funny, Zappa says. I'm just going to explore some aspects of crazy California living.
The novel is 17.2 percent autobiographical, she adds.
will probably be out in spring 2000, says Dell editor-in-chief Leslie Schnur.
The novel will be published by Dell's hardcover Delacorte imprint.
Dell had to beat out three other publishers, including an in-house rival, the Crown Publishing unit of Random House, Penguin Putnam's Viking imprint and HarperCollins - a unit of News Corp., which also owns The Post.
spoke on the phone, and she and I bonded, says Dell's Schnur. She's fun
Schnur said this is the first incomplete manuscript she has bought from a first-time writer.
says she hopes to complete it by the spring. Jimmy
Vines at the Vines Agency Inc. handled the deal.
From: Lady Brendana
Subject: Moon Zappa's Astrology Report
OF A METALHEAD
Moon Zappa, April 98 Harpers Bazaar
We had two rules growing up in my house: 1. If you're going to take a
shower, do it with whomever you're dating so you don't waste water; and 2. If
you buy one for yourself, buy six, because chances are everybody's going to want
one. The first rule traumatized me because I used the bathroom right next to my
parents' room, so I didn't date much, and the second one, well, I was the only
one who followed it, so it wasn't exactly a two-way street. Needless to say, it
occurred to me when I was old enough to make rules of my own that they should be
fair and simple. Mine was, If the Bon Jovi video with Jon walking down the
street singing "She don't even know my name" came on, I was to be
notified at once. Since it was the only rule I had, I wanted strictest attention
paid to its enforcement.
You see, I knew Jon Bon Jovi was mine. How did I know? He wore a little
crescent moon around his neck, which could be seen quite clearly in the video.
So it was only a matter of time.
Up until seeing Jon on the tube, I had spent most of my life locked in my
bedroom, miserable about my raging acne and "friend" label with the
guys at school. In those days if you didn't have a concave stomach while lying
flat on your back at the beach (so you could see your pubic hair in your
bathing-suit bottoms), you just weren't noticed. My dad's music had made me shy,
almost repressed about my own anatomy, with his lyrics about ramming things up
poop chutes and shooting too quick-this, from my dad! He was so open creatively
that I was off in search of black
turtleneck bathing suits with long sleeves. "Valley Girl," the song my
father and I did together in 1982, made me feel like a sad zoo specimen. Going
through puberty in front of the world on shows like Solid Gold and Merv Griffin
only added to my self-consciousness. But Jon lifted me out of all this. I felt
uninhibited, unbridled lust for him. My attention became focused on the love I
felt coursing through my veins. Who cared if my
legs touched at the top? That's when I started perusing magazines like
Kerrang! and Circus for clues to meeting my
dream man. I was studying photos of him backstage at Ratt shows and Motley Crue
gigs when it dawned on me. Start going to rock concerts! Hang out backstage!
My brother Dweezil was already into metal and had been trying to get me
interested in Van Halen, Def Leppard and Ozzy for years. He is two years younger
than I am, so that was reason enough to reject his worldview. But now I had
a purpose! By day I dreamed up ways to make Jon mine by
using some elementary witchcraft: writing my name in cursive with
"Bon Jovi" as my new last name, dripping candle wax on the curling j's
and n's, and burning the edges of the page to make it look like something out of
medieval times while reciting made-up virginal incantations. By
night, Dweezil and I would go as far as Irvine to see shows: Aerosmith,
Motley Crue, Ratt...no sign of Jon anywhere...Dokken, Rough Cutt...hey, that
guitar player is kind of cute....No, stay focused! I would think. Stay close to
the Implants; they must know something because they keep getting asked into the
inner chambers backstage.
I wasn't lucky enough to be born with a body that responded well to
acid-washed jeans and Lycra, so I had to rely on my last name to get past the
bodyguards. Dweezil sensed my lack of interest in the guitar solos and ditched
me when I started spending nights at metal clubs on Sunset Strip like the
Rainbow and the Cathouse, hoping for a glimpse.
At one point I was so desperate that I was prepared to try Gazzari's, the lowest
dive on the head-banging totem pole,
when Dweezil took pity on me and tossed me a golden bone: a pass to the NAMM
convention, a trade show devoted entirely to the latest amps, guitars, drum
kits-a musician's dream. Endorsement city! Surely Jon would be there.
He wasn't, but Dweezil and I did get invited to the rock
& roll charity bowlathon that Jon was expected to attend. We were hot
on his trail! I could feel my future as his bride gathering momentum. On the
magical night, we arrived to see the likes of Tom Petty, Gene Simmons and Rob
Halford trying on bowling shoes and throwing gutter balls like
normal folk. I spotted some of the guys from Poison and Faster Pussycat
and all of Whitesnake when, sweet Jesus, there he was! The spell worked! As if
in a dream, I approached him (very anti-The Rules), introduced myself and stood
there staring at his moon necklace,
waiting for him to kiss me. Destiny! But he didn't get it. He looked around the
room at the other girls, the ones whose legs didn't touch at the top. The spell
didn't seem to be taking. Oh, why wasn't I lucky enough to be a video vixen
crawling out of a manhole on a steamy, wet street at night? Or standing in front
of a wind machine, dressed like a cross between a waitress and a hooker in red
vinyl with a cherry in my mouth? Why wasn't I lucky enough to be a stripper
(sorry, "dancer") standing on the hood of an expensive sports car in
stilettos and a leopard-print bikini? Why wasn't I Tawny Kitaen? He'd want me
then. I tried to get his attention back. "What sign are you?" I asked,
trying to help him realize that what he was looking for was right under his
perfect little nose. "Pisces," he said politely while beginning to
move on. The room was spinning now. Pisces? It can't be! Not at all good for a
Libra. I was devastated, ruined. That's when I spied the guitar player from
After all the shows I had seen and after all the music I had ingested, I
realized I'd become as fickle as the next metal head. I bowled the night away,
all the while singing Bon Jovi's "Wanted Dead or Alive" to myself:
"It's all the same, only the names have changed."
In the end, I guess what I'm saying is that all that wishing energy must
go somewhere, so be careful. Sometimes you chase a dream, and another one
catches you instead. In my case I chased Jon but landed in the lap, literally,
of a certain other rock god (okay, demigod), with whom I had my singlemost
formative and traumatizing sexual experience to date. At his show I could see
clearly that although thousands of screaming fans adored him, he was playing for
me. Finally, someone who didn't like me for my mind! I won't disclose the
horrifying details of the event, but I will say that later that night he was
generous enough to let me sleep on the wet spot.
A year after, I bumped into him at another NAMM show, and he told me he
was sorry about everything that had happened, that it had caused him suffering,
too, and that the only person he felt he could talk to about the whole thing was
his close friend-say it with me now-Jon Bon Jovi.
I may have lost Jon, but the good news is that I can sing along, by
heart, to any albums by the following: Ratt, Winger, Scorpions, Metallica,
Queensryche, Nelson, Cinderella, Extreme, Pantera, Priest and Van Halen, even
the Van Hagar stuff (don't get me started on that subject). I know many others,
but these are the ones I am most proud of. I have begun to appreciate the more
easy-listening stuff too: Tool, Foo Fighters, Nine Inch Nails. I've got my eye
on you Trent the Taurus...
P.S. A few years ago, I heard Jon married someone who kind of looks like me. Go figure.
Magazine, Aug, 5, 2000 pp.65-59
by Vladimir Sovetov (firstname.lastname@example.org)
Unit Zappa has spent years coping with a crazy name and the eccentricities
of her rock-star father. Her brilliant first novel echoes
the experiences that shaped her life.
Peter Huck. Portrait by Katrina Dickson
I rang Moon Unit Zappa to arrange an interview
I was told, "I can't do it today. I have a tree man coming to
trim the jacaranda in my front garden". And she can't miss the tree man,
who, in a typically Los Angeles touch, only deals with jacarandas. If
you have problems with, say, a live oak or palm, get someone else. It's
the sort of absurd but telling detail that peppers Zappa's skewed worldview
so perceptively recreated in her debut novel, America the Beautiful.
When I arrive at her cottage on a quiet street in the Hollywood Hills, the jacaranda has been pruned. Dressed in green army fatigues, a T-shirt, black boots and sporting silver hoop earrings, Zappa hands me a mug of Earl Grey then leads me into a small backyard. She has olive skin and a strong, intelligent face, framed by shortish dark hair.
As we sip our tea, she lets slip how she stopped a British magazine running a story about her that featured lurid and apparently untrue details about her father, Frank Zappa; the subversive, avant-garde musician who became an anti-establishment icon before he died in 1993. Listening to her story I think of the parallels it is so easy to draw between Zappa and her fictional heroine, Mer (short for America). Mer's dad is the genius artist, Boris Throne, also dead, and both girls labour with the pitfalls of being a C-level celebrity.
starters, there's Zappa's name. Besides the famous surname, her
parents saddled their first-born with a moniker that is quite probably
unique on the planet. Zappa is used to the dread phrase, 'You're
not...?' 'I have to pay for things with cash because they read my
name on a credit card,' she sighs. It's hard to know why the Zappas chose
Moon Unit, although the names of their other
children, Dweezil, Ahmet and Diva, indicate more than a penchant for
the unusual. Judging by The Real Frank Zappa Book, Moon may have been a
spur-of-the-moment choice, uttered by Zappa on the eve of a 1967 tour with
his band, the Mothers of Invention: 'As I walked out the door... I
told Gail, "If it's a girl, call it Moon, and if it's a boy, call it Motorhead.'"
Fortunately, Moon has grown into her name. 'I can't imagine changing it. I don't want to lose my name because that's how I know myself. There is a legacy here.' And besides, it has definite market recognition. All of which will be tested by America the Beautiful, a semi-autobiographical book which fires gentle barbs at such LA obsessions as clothes, cults, celebrity and chocolate. 'I think I have a dark view of the world,' she ventures. 'I have to make everything funny, otherwise it all seems so sad.'
book had its genesis in a short, first-person magazine article that Moon
wrote about growing up in the Zappa household. "I got phone calls from
all these agents saying, "Oh, we love your voice. Do you wanna write a
book?",' she laughs. 'I thought that was just ridiculous. I thought it was
a fluke. Every job I've ever gotten has been an accident. No, really. All
the jobs I actually go after, I don't get. My acting life is a catastrophe.'
Indeed, before switching to writing, Zappa spent years as a struggling actress, mixing off-beat film roles - has anyone actually seen Anarchy TV, Pterodactyl Women from Beverly Hills or The Dark Side of Genius'? - and television appearances in Roseanne and Murder One, with voice-over gigs and stand-up comedy. 'I should just drive around this city,' she says, 'and take photos of all the buildings I've been humiliated in.'
took Zappa two years to decide which agent to choose. Ten days later she
had a publishing deal. 'First, I was so excited that I would never have
to go to another audition,' she recalls, over the moon, so to speak. 'Then
I panicked.' Part of the problem was that America the Beautiful was conceived
when Zappa, like Mer, had been torpedoed by a break-up. Writing it
down served as therapy. But by the time she signed her deal she had met her
fiance. 'So, I've got a new relationship and I'm trapped in this old life.'
Actually, her old life was pretty extraordinary. Although she was born in New York ('I like to think of myself as a New Yorker, which is pathetic'), Zappa has lived most of her life in Los Angeles. More specifically the Hollywood Hills in and around Laurel Canyon. She thrives on the city's addictive energy. 'People come here to make their dreams come true. You can feel that. You just feel that you can express yourself.'
She spent her childhood in a log cabin, once owned by silent cowboy star Tom Mix and later destroyed in a fire. Today it looks like a swimming pool,' says Zappa. 'It was actually a bowling alley that was underneath the house. Apparently, Tom Mix's horse is buried there. Later we found out there were caves behind the house where the Manson clan was holed up.'
the cabin doesn't make it into America the Beautiful, there are some fleeting
references to the counterculture era. 'Yeah, my mother did literally
hitch-hike barefoot to the country store,' Zappa smiles. Nurtured
by her parents' non-conformist world, young Moon didn't understand
that existence outside the Zappa household was different. At school
she felt like an outcast, wise beyond her years. 'I didn't have any concept
of age or authority. I remember realising, "Oh, the world has rules
and we don't." '
America the Beautiful, Mer worries that at 29, with no career or boyfriend,
she's a failure. Zappa, now 32, spent her 20s feeling blue. 'Before
writing the book,' she says, 'I would have called myself a melancholy
person. I was always depressed.'
Often typecast as 'zany' and 'wacky', Zappa says she's 'quite shy'. She reads books, listens to music and goes for nature walks. She likes friends who make the world a more harmonious place. 'My mother tells this story that when I first went to school, I thought I was going to help the teachers. I didn't realise I was going to get educated.'
Her free-wheeling childhood triggered a craving for boundaries that echoes the girls in Esther Freud's Hideous Kinky. 'I grew up with too much freedom,' says Zappa, who sees herself as a late developer. 'You can't define yourself opposite space.' It probably didn't help that her parents withdrew her from school at 15.
1982, aged 14, Zappa recorded Valley Girl with her dad, mocking the status-obsessed
rich teens who hung out in San Femando Valley shopping malls.
Suddenly she had a hit record. 'I made enough money to buy a house.
crazy.' But fame proved ephemeral. 'I peaked early,' she says ruefully.
'I was told I'd missed my boat.' If there's anything more mortifying
than being famous at 14, it's being washed up right after.
Taught to be kind, Zappa spent her 20s, the depressed years, struggling to survive in the Hollywood snake-pit, where life is seen in simple Darwinian terms of winners and losers. Swamped by what she felt was a chaotic life - 'I feel like I'm in a batting cage and they just keep sending balls at me faster and faster' - Zappa savoured mundane, repetitive tasks. 'The idea of licking stamps seemed great fun for me.' Writing saved her. Sitting at her computer, marshalling her ideas - 'like wrangling a bunch of crazy kids' - has been quite a godsend. 'I learnt that characters always have to do something. Mer's given me the gift of taking action when I'm depressed.'
Amazingly, she still lives on the same street as her mother, Gail, and her siblings. 'I see them all the time. We're close. There's a bond that's strong.' This ghost road simultaneously combines living in the past and the present, a heady mixture. 'It wasn't until I travelled to Crete that America the Beautiful came together for me. I think it's because, when I'm at home, I'm inundated with my environment and my past. So many horrible things, so many great things, have happened on this street.'
she made Valley Girl many fans, immune to satire, thought she was
a 'val girl'. So did the media. Zappa
says she wrote a novel, rather than
a memoir, because fiction 'gets closer to the truth'. Yet, while America
the Beautiful has parallels with her own life, Zappa (whose gimlet eye
for LA weirdness evokes Carrie Fisher's work) mirrors a wider reality.
Still, comparisons will inevitably be made between Frank Zappa and Boris Throne. But while Boris is a hedonist, Zappa says her father was 'very, very shy about his body'. She recalls an occasion when she was told to take a coffee to her father, who was reclining in his bath. 'I was probably eight or nine. It was an awkward moment. "Ohmigod! I'm seeing my father naked." And he was definitely not comfortable.' Still, he did like sex. 'Not many people know what their parents sound like having sex,' snorts Zappa, who had the next room. 'It was noisy.'
But, like Boris, Frank was a workaholic. During her childhood, Zappa's father was often on tour. She remembers being mad at his fans because they took him away from her. Later, she says he spent much of his time in the studio, working nights and sleeping through the days. 'I had to be quiet in the house so he could sleep,' says Zappa. She was mortified that her friends, who often stayed over, might catch Frank wandering naked around his house at night. Then there were his explicitly sexual lyrics. 'When you're a kid, it's "Why is he talking about those body parts?"'
When Valley Girl hit, Zappa considered a music career. Her dad, who had to fight for artistic freedom, advised otherwise. 'He begged me not to go into showbiz,' says Zappa, who admits she isn't 'real familiar' with her father's music. 'He didn't want me to suffer the humiliation of someone else getting to decide my fate. He thought I was going to be an artist.'
still dabbles with song lyrics. 'I'm totally convinced I can write the perfect
pop song,' says Zappa, who shares her father's irreverence. She also
pens film scripts (later, I meet her writing partner, an actress from Xena,
Warrior Princess) and has a sharp ear for slang. If Valley Girl gave
us 'ohmigod' and 'fershur', her novel scores with 'this is so my life'
Meanwhile, despite her penchant for the dark side, she remains sweetly and quirkily idealistic. 'That's why I have that quote by Issa (an 18th-century Japanese haiku poet) at the very beginning of my novel. "The man pulling radishes pointed the way with a radish." I think that's perfect. That your own experience keeps taking you towards something. My book adds the hope that it's a better something.'
'America the Beautiful' (Review) is available for &9.99 post free in the UK from Telegraph Books Direct, 24 Seward Street, London EC1 V 3GB or by calling 0870-1557222. Please quote NB908 when ordering
Times, Aug, 6, 2000, p.7
by Vladimir Sovetov (email@example.com)
ZAPPA AND A DAUGHTER OF CONVENTION
bizarre childhood gave Moon Unit Zappa a
taste for the humdrum things in life, she tells Christopher
For Moon Unit Zappa, growing up with that name was the least of her problems. Moon Unit might have seemed a bizarre name in Guildford, Surrey, but it wasn't really all that strange in a town where every other child is called something like Beauty, Treasure or Luna.
Moon, now 32, had parentage that explains her name. She is the eldest child of the late cult musical genius Frank Zappa and his wife, Gail. Moon's siblings have equally unlikely monickers: Dweezil, Ahmet and Diva, Zappa was one of the most recognisable and influential counterculture figures of the late 1960s arid 1970s with his lank hair, droopy moustache and irreverent attitude. But unlike many of the musicians of that era who burnt out on drugs, Zappa remained a prolific and respected musician and composer, producing some 50 albums.
His range was extraordinary: his complex orchestral work was performed by many of the world's leading orchestras, yet he also delighted in undercutting pretensions with songs such as Don't Eat the Yellow Snow, about urinating in the Arctic. While Zappa thought of himself as a patriot, he loathed corporate America and described love songs "as one of the causes of bad mental health in the United States".
Later in his life Zappa became a severed icon, especially in the eastern bloc, beloved of people such as Czechoslovakia's post-communist president Vaclav Havel for his music and his commitment to freedom of expression. Zappa died in 1993 of prostate cancer; he was 52.
A little over three years ago Moon wrote an article for Details magazine about what it was like "growing up a Zappa". The article sparked interest from publishers who wanted her to expand on it for a book. "But that just seemed cheesy to me," she says.
Instead, she has written America the Beautiful, a work of "fiction" that is a thinly veiled account of her life over the past few years. Her alter ego in the book is America Throne, whose father, a famous and bizarre cult painter named Boris Throne, dies in early middle age. Like the Zappas, the Thrones live a bohemian Los Angeles life.
Moon says she wanted to tell a story "about somebody who is given, by society's standards, everything, and how unlikable that is. I had a famous name but not a body of work that any body could recognise. I had the perks of growing up the daughter of somebody famous, but none of the confidence of having those things, because they weren't earned by me".
We are sitting in the small dining room of her modest Los Angeles home. Although Moon's boyfriend, a drummer with a rock band, is slumped in the next room watching the afternoon soaps, there's no other hint that we're in a Zappa home. It's very neat, clean and quiet. And we're having what appears to be a normal conversation about the usual kind of stuff. And I we've got our clothes on. Weird.
Moon is pretty, funny and articulate. She's quick to laugh and to sense what makes other people laugh, honed from needing to get attention in a mad house hold and, more recently, from performing a monthly stand-up comedy routine at a local club. Her large, frame-less glasses highlight her clear, light brown eyes.
Moon first became famous in her early teens for highlighting the Valley Girl phenomenon. Her song Valley Girl became a cult hit for her father in the early 1980s, poking fun at the vacuous teens who lived in the San Fernando Valley suburb of Los Angeles and spent their time m shopping malls saying things such as "gag me with a spoon".
It still irks Moon that people don't realise that the whole thing was satire; it wasn't the kind of life she was leading or aspired to. In fact, she wrote it to gether father's attention.
I ask her what kind of relationship she had with her father she
says, quickly: Telepathic." What she means is that she hardly ever saw
him, so she felt she had to communicate with him on some non-physical level.
When he was at home he worked all night and slept all day. He
was also often away for months, touring.
Moon was fairly young when she realised that what went on in her house wasn't the same as what went on in the rest of the world. Outside the home there were completely different rules,' well, there were rules. Inside the Zappa home there were none.
wasn't so much a loose, hippie kind of thing - Frank and Gail weren't hippies
- but domestic life as a deliberately anarchistic happening.
It meant that Moon never felt safe at home. Partly because it wasn't. Her parents were always terrified that she and her siblings might be kidnapped. And there were always bizarre people hanging round the house.
remember letting someone in the house who had a gun," she recalls. "And
when I was about 10, letting someone else in who was just out of the
"My parents were extremely generous," Moon adds. "The people they would get to work for them might not have a regular bathing habits, for instance, but maybe they'd be really good at making Claymation dolls. Or maybe someone would be a fairly reliable baby-sitter, but they would wear masking tape on their nipples as a regular outfit. "There were always lots of those kind of people around. I remember one guy who drilled a hole in his nose so he could whistle out of it."
loved spending time in some of I her friends' homes, because they were so
normal. "I remember I had a
friend whose family had dinner together," she
says, "and the mother would tuck you in at night and make breakfast in
the morning. They even had a spare bike for a friend. It just seemed so amazing
"And GQ magazine was just the most exotic thing in the world. Oh, the guys have clothes that match, how strange. When your father's wearing women's clothes and platform shoes, a pair of loafers looks incredible."
Moon grew much closer to her father in the months leading up to his death, and was there when he died. She now respects him and her mother because "they did not try to change who they were just to try to make me happy. They said, 'I'm me, this is it. And you're going to be you.' "
Moon seems to be surprised that I still sense some anger towards her father in the book. She says she doesn't want it to be taken that way.
was trying to show the difficulty of being an artist and still having a
family, and to show people that it can be done," she says. "But if that's
the worst that's going to happen, that your kids are pissed off with
you, big deal. They're going to be
pissed off with you no matter
what you do.''
|Check out http://www.discosantigos.com/
for lost of cool pictures.
The one on the right shows FZ & Moon, picture taken by Linda Eastman (McCartney) and shown in her "Rock and Other Four Letter Words" book.
-- info: Indiff, Hasi & Avo
|The picture on the right was used in German Playboy
magazine, in an article on daughters of famous rock stars.