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More John Trubee promotion. - Forwarded by Bob Dubrow, CEO of Kimchee Records...
This column ran on page 28 in the 2/17/2003 edition of The New York Observer.
“American Song-Poem Anthology: Odds, Sods Make Beautiful
by Joe Hagan
COPYRIGHT © 2003 - THE NEW YORK OBSERVER
- ALL RIGHTS RESERVED
Last year, Barneys had an unusual little item for sale: A green and yellow designer pillow with the seven deadly sins embroidered on it in a retro computer font. This faux flea-market charm, which looked like something you would have found on a distant cousin's couch in 1983, cost about $200.
On the one hand, it was a neat trick of fashion hucksterism-retro lowbrow for the uptown fabulous. On the other, it acknowledged a simple truth: There 's something undeniably alluring about bad folk art that has aged into fine cheese.
In music, it's much the same. Ever since Frank Zappa sang the praises of the Shaggs-that tone-deaf quartet of awkward daughters forced by their Svengali father to emulate the Beatles in the late 60's-there's been a growing sense among music critics that the collective unconscious of America is sometimes best articulated not by the tastemakers but by the taste-challenged, who are often socially isolated, to say the least.
In the parlance of record collectors, it's called outsider
music. Daniel Johnston is a classic example. So is the Danielson Family.
(There's something about having Daniel in your name ..) Or think of Greil
Marcus' idea of "old, weird America," where the braying of an obscure
country crackpot with a banjo can say more about our dark soul than Bing Crosby
Out of this genre comes the heretofore undocumented world
of song-poems, featured on a new 28-track compilation called The American
Song-Poem Anthology: Do You Know the Difference Between Big Wood and Brush
(Bar/None), that was released on Feb. 11, the same day that Jamie Meltzer's
documentary, Off the Charts: The Song-Poem Story, aired on the PBS series
Independent Lens. For the last 40 years, it seems, lonely grandmas, emotionally
crippled teenagers and shut-ins of all stripes have been responding to ads in
the backs of magazines-"Poems Wanted for Songs & Records";
"Your Songs or Poems May Earn Money for You"-that promised them the
possibility of fortune for their creative output. By sending their poems and
lyrics to mail-order companies in Nashville and Hollywood-along with checks for
$75 or so-they received vanity records featuring their words set to country,
folk, soul or rock music by professional studio musicians.
Of course these aspiring songwriters never made a cent, but the fruits of their labors were often marvels of American oddity, touching on such unsung themes as the color yellow, Richard Nixon, Argentinean cowboys, masturbation ("All You Need Is a Fertile Mind"), a woman and her goat and, of course, "Kung Fu Bicycles." This stuff makes Stephen Merritt seem redundant.
The song-poem genre found its way into the avant-garde through the usual cultural jujitsu of obsessed record collectors. Tom Ardolino, drummer for the band NRBQ, collected thousands of song-poem records before he recently sold them all to fellow enthusiast Penn Jillette. Hip indie bands helped spread the word: Yo La Tengo covered a song-poem called "How Can a Man Overcome His Heartbroken Pain," first recorded by Rodd Keith, a.k.a. Rodney Eskelin, the tragic mid-60's pioneer of the song-poem industry, who was suspected of committing suicide in a fit of career despondency and drug addiction. (As it happens, he also sired the avant-garde saxophonist Ellery Eskelin, though the two never met.)
The song-poem is a uniquely American experiment. Take the
lyrics of John Trubee, a disgruntled teenager in mid-70's Princeton, N.J., who
appears in the documentary. Skeptical of the ad he read, Mr. Trubee scribbled
the worst lyrics he could dream up on a sheet of paper-a parody of the
LSD-damaged lyrics of bands like Iron Butterfly-and sent them to a song-poem
company in Nashville. "Warts love my nipples because they are pink,"
it goes. "Vomit on me baby, yeah, yeah, yeah."
Not long after, Ramsey Kearney, a struggling country musician turned song-poem entrepreneur-who looks like John Goodman and sings like Ernest Tubb-transformed "Blind Man's Penis (Peace and Love)" into something remarkably listenable and melodic, featuring a full Nashville band. He got $79.95 for the effort.
While a lot of the song-poem lyrics sound like spins through a rhyming dictionary-like Mary Urrutia's "Disco, disco, disco / I am going to Mount Kisco / I am going to buy Crisco"-some would-be lyricists show naïve promise. Using the lyrics of someone named Tiel Faulkner, a song-poem group called the MSR Singers put together a groovy R&B number that might have done well for Melanie, Donna Summers or Sesame Street: "Lemon pies and butterflies / Yellow submarines / Corn on the cob and tangerines / I like yellow things." It's the musical version of that designer pillow.
The ever-timely "Human Breakdown of
Absurdity"-penned by anonymous hopefuls Ove Lid and Lew Tobin and performed
by Norm Burns & Singers-is best imagined as a Gene Pitney song with lyrics
by Black Sabbath. With an eerie female vocal wailing in the background and a
swinging guitar noodling away, Mr. Burns croons: "Fate will point in the
fortune fountain / Searching for a place in the mountain / Where the sexless
virgins could moan / Watched by clergymen with faces of stone / Under the law of
The most absurd thing about "Human Absurdity" is just how uncannily good it is.
Perhaps the most unlikely hit on the collection is the political anthem "Jimmy Carter Says 'Yes,'" penned by Waskey Elwood Walls Jr., of Yreka, Calif. It was performed by a studio pro named Gene Marshall, a.k.a. Gene Merlino, who set the lyric to a graceful melody and a funky wokka-wokka guitar riff. It sounds like a moon-eyed Glenn Campbell making a disco
campaign song: "Can our government / Be competent?" he sings. "Jimmy Carter says 'Yes' / Jimmy Carter says 'Yes.'" (One imagines Mr. Carter saying "No" nowadays.)
The beauty of Mr. Meltzer's accompanying documentary, Off
the Charts, is that it travels the dusty backroads to actually get a look at the
song-poets. Mr. Walls, for instance, is everything you'd dream: Sitting in his
living-room lounger, sun-baked and looking like a wooden Indian, he wears a
purple bandanna and a blue silk western shirt with sequins. From his wild-eyed
interview, it appears he's batshit crazy-and still a believer in the former
The studio players are also a culture unto themselves. Most are failed songwriters or out-of-work session men. The savvy and smooth Mr. Marshall, who has the well-preserved cool of the late Carl Perkins, had some success in a singing group called the Mello Men in the late 60's. At one point, he displays photos of himself with Elvis, Frank Sinatra and Eddie Fisher.
Mr. Marshall says of Mr. Fisher: "I recently coached him through an album, a comeback album. It never worked out, Eddie's not going to come back. He's had it."
The happy-sad aspect of the song-poem story-which is handled with graceful aplomb by Mr. Meltzer-is that many lyricists had actually hoped they'd get famous. In the most cruelly hilarious scene, a man named Gary Forney talks with pride about some airplay he got in Denmark. Drawn and haggard, Mr. Forney drives his jalopy to a pay phone in rural LaPorte City, Iowa, to give the Danish radio station a call-to see how he's playing in Copenhagen.
After he introduces himself to the station manager, there's a long, painful pause.
"Uh, Gary Forney?" he says, trying to jog the D.J.'s memory. "'The Future Ain't What It Used to Be'?"
It's Mr. Forney's noble attempt at dignity in front of the camera-"I just thought I'd check in with you," he says, drawing nervously on his cigarette-that really gets to the heart of the song-poem world and its Don Quixote spirit.
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legendary british band the yardbirds once included jimmy page, jeff beck and eric clapton. original members chris dreja and jim mccarty decided that it was time to do another record. helping out, are jeff beck, brian may, slash, joe satriani and steve vai to name a few. the new album will be out somewhere in march on steve vai's favored nations label. it will include classic yardbird tracks as well a new compositions.
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andre cholmondeley writes on the subject of the latest project/object album & concerts:
Sent: Thursday, February 13, 2003
Subject: Project Object - new CD available ONLINE
This just in .. Project Object has reached the digital age..... Again.
You can purchase the NEW LIVE CD "The Dream Of The Dog" from the safety of your home or temp-job cubicle!!
Just hop over to:
Where you can of course take a taste of the music, and order securely.
Go to cdbaby to check out an overview of the new Project/Object cd. The site also has some sound samples and an image of the front cover.
Stay tuned for even more PO merch becoming available online.
Project/Object with Ike Willis, Napoleon Murphy Brock and
Performing The Music Of Frank Zappa
Ike Willis - Voc/Gtr - Zappa band 1978 - '88
Napoleon Murphy Brock -Voc/Sax Mothers/Zappa band 1973-77, 79,84
Don Preston - Keys/Synth -Mothers of Invention/Zappa 1966-'74
Andre Cholmondeley gtr/voc
Dave Johnsen bass
Glenn Leonard drums
Date City Venue
2003/03/06 concert ‘iron horse’,northampton,
2003/03/07 concert ‘the conduit’,trenton, nj, usa
2003/03/08 concert ‘state theatre’,falls church, va, usa
2003/03/09 concert ‘club cafe’,pittsburgh, pa, usa
2003/03/10 concert ‘club cafe’,pittsburgh, pa, usa
2003/03/11 concert ‘magic bag’,ferndale, mi, usa
2003/03/12 concert ‘a1a’,lexington, ky, usa
2003/03/13 concert ‘bluebird theater’,bloomington, in, usa
2003/03/14 concert ‘martyr's’,chicago, il, usa
2003/03/15 concert ‘martyr's’,chicago, il, usa
2003/03/17 concert ‘cicero's’,st. louis, mo, usa
2003/03/19 concert ‘stella blue’,asheville, nc, usa
2003/03/20 concert ‘the music grill’,savannah, ga, usa
2003/03/21 concert ‘variety theatre’,atlanta, ga, usa
2003/03/22 concert ‘visulite theatre’,charlotte, nc, usa
2003/03/23 concert ‘cat's cradle’,carrboro, nc, usa
2003/03/25 concert ‘alley katz’,richmond, va, usa
2003/03/26 concert ‘tentative’,lancaster, pa, usa
2003/03/27 concert ‘murrays inn’,wilkes-barre, pa, usa
2003/03/28 concert ‘tralf music hall’,buffalo, ny, usa
2003/03/29 concert ’trocadero theatre’,philadelphia, pa, usa
2003/04/01 concert ’tentative’,providence, ri, usa
2003/04/02 concert ’valentines’,albany, ny, usa
2003/04/03 concert ’higher ground’,winooski (burlington), vt, usa
2003/04/04 concert ’middle-east club (downstairs’,cambridge, ma, usa
2003/04/05 concert ’b.b. king's blues club’,new york, ny, usa
Several dates pending!! Check back often .
Check out the Project Object Newsgroup!! alt.fan.project-object
CRANK SOME FRANK !!!
Project Object Summer '03 - Stay tuned for USA and Europe
Performing The Music of FRANK ZAPPA
With: Various Zappa alumni - stay tuned!!
...and more Original Music dates coming soon!!!
DETAILS : projectobject.com
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and it looks like it's all about halloween nowadays. there's a new frank zappa bootleg with the 1977 halloween concert. a 3cd set. and the same source also talks about a 1988 2cd set.
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questions from readers
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----- Original Message -----
From: "Robert B" <firstname.lastname@example.org>
Sent: Thursday, February 13, 2003
I am looking for Alice Cooper singles...
Especially from the straight label.
Following singles: Eighteen/Body
Do you have them or know anyone who does?
well, that's all for now, peace, & be sure to check out the residents concert dates !
-- peter van laarhoven